Frederic Magazine https://fredericmagazine.com/ Live More Beautifully Wed, 12 Feb 2025 18:18:38 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.2 https://fredericmagazine.com/wp-content/uploads/2021/06/cropped-frederic-f-logo-1-32x32.jpg Frederic Magazine https://fredericmagazine.com/ 32 32 See the New Exhibitions, Collections & Collaborations We’ve Got Our Eye On https://fredericmagazine.com/2025/02/new-noteworthy-winter-2025/ Tue, 11 Feb 2025 19:01:31 +0000 https://fredericmagazine.com/?p=43154 OUR NO-FAIL CURE FOR THE WINTER DOLDRUMS? A well-timed dose of good design, of course. From inspiring art exhibits and once-in-a-lifetime tastemaker auctions to playful new brand collaborations and pop-up shops that bring far-flung treasures closer to home, this season’s buzziest debuts and drops are guaranteed to add some much-needed sunshine to even the dreariest […]

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OUR NO-FAIL CURE FOR THE WINTER DOLDRUMS? A well-timed dose of good design, of course. From inspiring art exhibits and once-in-a-lifetime tastemaker auctions to playful new brand collaborations and pop-up shops that bring far-flung treasures closer to home, this season’s buzziest debuts and drops are guaranteed to add some much-needed sunshine to even the dreariest days.

Victor Glemaud for Patterson Flynn

Victor Glemaud on Assinie, a hand-knotted wool rug featuring a coterie of unique animals and plants. 

Melanie Acevedo

Glemaud’s nephews play on the Biétry flatweave rug, which pairs geometric medallions with a flower border in hand-dyed wool. 

Melanie Acevedo

Haitian-American fashion designer Victor Glemaud is known for bold, inventive, inclusive knitwear that melds comfort with style. Having previously translated his artistic vision into fabrics and wallpaper for Schumacher, Glemaud has now turned his attention to rugs with a lush new collection for Patterson Flynn that draws on his travels in Africa to create imaginative menageries and rhythmic borders that are both elevated and welcoming. In hand-knotted wool, rustic handspun silk, and raffia, Glemaud’s innovative cut-out flower borders, vibrant patterns, and soft textures are designed to be inviting to style mavens and young families alike.

pattersonflynn.com

The Iris Apfel Online Auction at Christie’s

The grande dame herself, Iris Apfel. 

Ruven Afanador

“Iris” Skirt by Stacy Bendet for Alice + Olivia, 2018. 

Courtesy of Christie's

The inimitable American tastemaker, style icon, and businesswoman (she was the co-founder of Old World Weavers) Iris Apfel passed away last year at the age of 102. An online auction at Christie’s through February 13 showcases her fearless, totally original style through 220 lots of dramatic couture and ready-to-wear fashions, jewelry, furniture, and accessories (including her trademark oversized eyeglasses) from her homes in New York City and Palm Beach. See the collection in person at Christie’s in NYC from February 8–13.

christies.com

“Making Home” Exhibition at the Cooper Hewitt

In “The Offering” by Hadiya Williams and Nicole Crowder, six place settings and chairs around the table reference six decades, from 1910 to 1970, of the Great Migration. 

Elliot Goldstein © Smithsonian Institution

The Smithsonian Design Triennial at the Cooper Hewitt museum (in NYC’s landmark Carnegie Mansion), explores the meaning of home in all its manifestations, from “Seeking Home” to “Building Home.” Now through August 10th, discover 25 site-specific installations by a diverse array of artists, including Hadiya Williams and Nicole Crowder, who designed “The Offering” (seen above), a vignette of Black family life around the dining table that represents the Great Migration from the American South to the north.

cooperhewitt.org

Society Social x Nick Mele

Photographer Nick Mele enjoying his new gaming furniture collaboration with Society Social, including the Checkmate Game Table and Queen Barrel Back Lounge Chair. 

Nick Mele

Society Social has teamed up with fine art photographer Nick Mele, known for his glamorous society photos, for “Pause Life, Play Games,” a collection of game-room furniture with a sophisticated edge. From the Checkmate Game Table, which includes a grasscloth-lined storage compartment and comes in a rainbow of high-gloss paint finishes, to the Gambit Gaming Chair, ergonomically designed for marathon PlayStation sessions and available in an array of designer-favorite fabrics, each piece is a delightful upgrade to any den or family room.

shopsocietysocial.com

A Vida Portuguesa x MoMA

A selection of wares at the A Vida Portugesa pop-up shop at MoMA. 

Courtesy of MoMA

Alentejo Wood Child’s Chair, $195. 

Courtesy of MoMA

Those in the know make pilgrimages to Lisbon design emporium A Vida Portuguesa for its creatively curated crafts and artisan-made products from around Portugal. Now you can shop their treasures stateside at a pop-up shop at the MoMA Design Store, open through March 10th. You’ll find traditional crafts like intricately woven blankets, colorful reed basket bags, and ceramics alongside basics like delicious tinned fish and stylish apothecary items (think vintage-inspired tubes of hand cream and toothpaste).

store.moma.org

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Planting New Seeds on a Centuries-Old Plantation https://fredericmagazine.com/2025/02/keith-robinson-house-tour/ Tue, 11 Feb 2025 16:05:06 +0000 https://fredericmagazine.com/?p=43246 Schumacher’s newest book, Southern Interiors: A Celebration of Personal Style  by Tori Mellott, invites readers into the private worlds of inspiring creatives across the American South. In this exclusive excerpt, we’re paying a visit TO tastemaker and GARDEN designer KEITH G. ROBINSON IN CHATTAHOOCHEE HILLS, GEORGIA, TO find out what southern living means to him. • […]

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Schumacher’s newest book, Southern Interiors: A Celebration of Personal Style  by Tori Mellott, invites readers into the private worlds of inspiring creatives across the American South. In this exclusive excerpt, we’re paying a visit TO tastemaker and GARDEN designer KEITH G. ROBINSON IN CHATTAHOOCHEE HILLS, GEORGIA, TO find out what southern living means to him.

• • •

“I live in a historic home, built in 1841 as the centerpiece of a 10,000-acre plantation. It was constructed with an east-west orientation, so the windows capture the light of both the rising sun and dramatic sunsets that fill the receiving room with an amber glow. The house was only inhabited by one family until my tenure, so it has blessedly never undergone any modern renovations. The ancient trees on the property are sentinels of the past and give structure to a garden designed using them as focal points. Additionally, a noteworthy nurseryman and landscape designer installed boxwood parterres on the front of the property in 1837, which still thrive to this day. Native materials used out of necessity and availability yielded original quartz stone walls, which also front the property. It’s a curated assemblage which today would be quite costly to replicate. The house’s history and the quiet luxury of these elements are what make this place so special.”

Robinson and his dog, Winnie, head outside.

Nick Burchell

Madame Cécile Brunner roses spill over a wooden gate. The basin is a sorghum syrup kettle Robinson unearthed on the former plantation.

Nick Burchell

The dining room was built in 1898 to join the main house to the kitchen house. The tablecloth is antique damask; the 19th-century apothecary cabinet is lined in an 18th-century textile and holds part of Robinson’s collection of Paris porcelain.

How has the South shaped your aesthetic?

My family roots are French Creole and some of my earliest memories are of my paternal grandparents’ home in coastal Mississippi, where heirlooms were passed down for generations. From this, I developed an affinity for antique furnishings and accessories to create a sense of history, place, and mystery, and embrace the tradition of storytelling which is very characteristic of the South. 

How does your environment enhance your sense of creativity?

I grew up in the mountains of North Carolina surrounded by beauty: the majesty of the mountains themselves; woods filled with thousands of species of native flowers and shrubs; growing, harvesting, and preparing meals from the land; and a sense of wonder for nature. I try to take the simplest of elements and create something sublime, like when I created large-scale bread boards fashioned out of 170-year-old poplar harvested from a derelict outbuilding on the property. Another time, I discovered milled cedar lumber, long forgotten, drying in the rafters of the barn and used it to build open shelving and plate racks for the kitchen.

The pelmets that crown the living room curtains are cornices recovered from the barn and date to 1868; Robinson commissioned an artisan to water gild them and paint them with a faux bois pattern.

Nick Burchell

A built-in cupboard in the dining room, originally designed to hold luncheon leftovers, now holds part of Robinson’s collection of serving pieces, which includes antique Limoges and Paris porcelain.

Nick Burchell

Tell us about your favorite Southern tradition.

Having a formal dining room. Growing up in a big family where there were seven at the table (I have three brothers and our maternal grandmother lived with us), we all ate every meal together. Breakfast and lunch were always in the breakfast room, and so was dinner during busy school weeks with varying extracurricular schedules. Saturdays were also casual, but Sundays were always in the formal dining room with linens, china, silver flatware, and a beautifully set table. From the age of eight, I foraged in our own garden and the surrounding woodland and fields for flowers from which I created centerpieces for Sunday dinner. Time was spent preparing and presenting the meal and we took our time enjoying it in a space that felt special. Slowing down and connecting as a family over a lovingly prepared meal—that says everything to me about what it means to be Southern.

What’s the quirkiest thing about your house?

Living in a house built in 1841 means that heating and cooling is a challenge. The wavy glass in the original windows is beautiful, but we pay dearly for that beauty!

Robinson cut the wood for the kitchen shelves from cedar planks he discovered drying in the barn rafters.

Nick Burchell

Why do you think Southern hospitality is so legendary?

Regardless of one’s means, Southerners always want to present the absolute best of what they have. Whether that means hosting an event or family gathering when the gardens are in peak bloom or incorporating the sublime umami of foraged chanterelle mushrooms into a special meal, I think that here in the South, we understand and appreciate the magnitude of creating lasting memories and incorporating all the senses into a crescendo that will forever be stamped in the minds of our guests.

What’s a Southern rule you love to break?

As we entertain a fair amount, guests generally offer to help clear or clean up or wash dishes. (Much of what we use must be hand washed.) We never allow our guests to help, even if they insist—I have a nightmare story about a guest having a mishap and breaking several dishes! And we don’t have a problem having a hard “end time” for a gathering. We wouldn’t want folks outstaying their welcome.

Robinson gathers the bounty from his vegetable garden on the front steps of the 1841 farmhouse, once the main house for a large plantation. 

Nick Burchell

In an outbuilding, a custom baker’s rack holds vintage French and Belgian earthenware jugs. The trestle table was forged from heart pine and poplar boards reclaimed from another outbuilding.

Nick Burchell

This story originally appeared in Southern Interiors: A Celebration of Personal Style. Learn more here

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This Park City Ski Retreat Is Made for Cozy Family Gatherings https://fredericmagazine.com/2025/02/elizabeth-young-park-city-utah/ Wed, 05 Feb 2025 22:54:38 +0000 https://fredericmagazine.com/?p=42649 When fresh powder starts coming down, the narrow road that leads from the base of Iron Mountain to the glass-walled house nestled on its rear slope can become treacherous. (At least one moving truck has ended up stranded in a snowbank while attempting to reach it.) But to the Houston family who owns the secluded […]

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When fresh powder starts coming down, the narrow road that leads from the base of Iron Mountain to the glass-walled house nestled on its rear slope can become treacherous. (At least one moving truck has ended up stranded in a snowbank while attempting to reach it.) But to the Houston family who owns the secluded lodge on the outskirts of Park City, Utah, that journey is part of what makes it feel like such a refuge.

The other part? That’s all down to the interiors, dreamed up by Houston-based Elizabeth Young. From the beginning, she knew the house had to be extra-inviting, not just to her real estate investor clients, but to their three newly minted adult children who range in age from 18 to 23 and are spread across the country from Los Angeles to the East Coast. They had vacationed as a fivesome in nearby Deer Valley for years, but now, the parents wanted something that felt permanent—a place guaranteed to lure the kids back, with friends in tow, for skiing holidays, summer hikes, and big Fourth of July parties.

Designer Elizabeth Young picked the vintage Stilnovo chandelier to complement the backdrop rather than compete with it, while deep custom lounge chairs and an even deeper sofa invite visitors to sink right in. The Frank Lloyd Wright ottoman, originally crafted in 1951 for the Benjamin Adelman House in Phoenix, looks very at home on the slopes. 

Laura Resen

Above the limestone fireplace, a black steel wall camouflages a big-screen TV. A vintage oak game table is flanked by a pair of Edition Modern iron chairs upholstered in pumpkin-hued velvet inspired by fall foliage. Vintage Moroccan rug from Carol Piper Rugs.

Laura Resen

With that in mind, Young set about creating a space that was not just comfortable but intoxicating to everyone: parents, kids, and a rotating cast of guests that includes teenage boys, budding careerists, and well-established adults.

The first order of business? Generating a little surprise. “A mountain house can be very predictable,” says Young, who studiously avoided anything that even hinted of bearskins and antlers and went for a counterintuitively cool opening statement in the entry: a knockout Christian Lacroix wallpaper mural. Its mesmerizing abstract swirl resolves into an arrangement of ornate bird feathers in a way that immediately tells guests, “This isn’t what you were expecting.”

“The visual anchor of the dining room is nature, but I wanted to break it up with a hint of chaos and surprise,” says Young, who covered the ceiling in a hand-painted Porter Teleo wallpaper that echoes the landscape’s organic rhythm. Cane chairs by Ditte and Adrian Heath surround a 1960s Swedish pine table, whose slatted top calls to mind an elegant picnic table. A billowing Apparatus Cloud Chandelier floats above; on the floor is a custom wool shag from Carol Piper Rugs.

Laura Resen

But in her own way, Young stayed true to the mountain setting. “There’s so much glass, and wherever you look there’s a window with a stunning view,” she says. Nature, it seemed, was intent on stealing the show—so she let it. Many moves—like darkening a steel wall above the fireplace until the big-screen TV virtually disappeared into the blackness—were carefully calibrated to keep eyes from wandering away from the scene outdoors. And while Young typically embraces color and pattern, here, she held back to ensure the focus was always squarely on the pageantry of the seasons.

“We don’t have fall in Houston, and I’d never really tuned into the leaves changing before,” says Young. “In Park City, suddenly everything went from green to gold with all of these pumpkin and purply brown tones. It was intense.” And then came winter, with its blanket of white against slate gray mountaintops and ghostly silver trees. She let that guide her to a black-and-white palette that extends from the entry into a long hallway and knits all the rooms together, then dappled the spaces with shades stolen from the foliage that had so stunned her in the fall.

From a distance, the Christian Lacroix wallpaper mural in the entry can read like a modernist take on snow swirling through a vertiginous topographic trail map, but on close inspection, offers up the surprise of bird feathers. Combined with the artwork—Elliott Puckette’s Rushen Coatie—plus a 1950s pencil reed enfilade and a midcentury cane chair, it’s a layered vision of pattern that sets a chic, informal mood. The 1950s French brass table lamp is from M. Naeve.

Laura Resen

Built for a crowd of boys, the bunk room is a true heathered-wool hideaway, wrapped in a flannel wallpaper from Maya Romanoff. The blanket of coziness is countered with pinstripes from Dedar on the custom bolsters and drapes. A 1970s iron sling chair and vintage Turkish tulu rug shifts the room into more grown-up territory.

Laura Resen

She also set about warming up the undeniably contemporary architecture (think massive stone walls and acres of plate glass) with the rich comforting textures of linen, wool, and velvet, which she applied to a series of cozy lounging spots that offer up a calm respite from the rugged outdoors in both summer and winter. In the biting cold of January, the older girls can schuss down the slopes with their friends and then fall into a cosseting group of bouclé-covered lounges by a fire that crackles away in a modern minimalist black-and-white tableau. In the heat of August, the family can set out for a trek straight up the mountain, and
when the sun becomes too strong, descend for a meal beneath the shade of a wallpapered ceiling in the dining room; its deep greens and browns reflect the random rows of trees just outside, making it feel like a leafy tree house, especially when the glass doors are opened wide and meals spill out onto the balcony. And then there’s the cozy fun of the flannel-lined bunk room, wallpapered in a heathered wool wallpaper that muffles the hijinks of the teenage boys who pile into the four luxury bunks.

With so many hard surfaces, the primary bath was “in desperate need of some richness,” says Young, who accessorized the existing soaking tub with long slate-gray wool drapes and a bouclé-clad Italian ottoman. The rug is a remnant from the vintage Moroccan that was cut down to size for the great room.

Laura Resen

Off in the primary bedroom, the parents have their own haven, a place where they can slip into a cocoon that feels especially welcoming when the snow is falling. The custom Porter Teleo wallpaper provides a beguiling organic backdrop that’s hard to identify; it’s the color of slate, yet reads as soft and warm. Paired with wool drapes and a custom bed swathed in aubergine velvet—a shade cribbed from the turning leaves—it all adds up to space that urges one to sink in and stay. As in other parts of the home, much attention was paid to lighting, with the glare of over-heads banished in favor of more atmospheric lamps, including a pair with tessellated stone bases that speak to the peak just outside the window.

Sumptuous, serene, and surrounded by balconies, the primary bedroom allows for stepping outside for a morning coffee or evening nightcap before snuggling in for the night. Porter Teleo’s hand-painted Fluid Tones wallpaper creates a moody texture that’s deepened with dark purple wool drapes and upholstery from Metaphores and a custom bed enveloped in Schumacher’s Gainsborough velvet. Walnut and wicker bench, Found, Houston.

Laura Reves

Given that this was Young’s fifth project with the owners, she had the luxury of trust and time to find key pieces. The clients, avid collectors with a passion for midcentury French and Italian furniture, fell particularly hard for hard-to-come-by 1960s cane chairs by Ditte and Adrian Heath, which took a full year to assemble as a full set of 12. The family also loves puzzles as much as they love lacing up their hiking boots, but finding just the right game table for the great room took months; now, the midcentury oak-and-chrome number in the great room is a favorite gathering spot. “I let the house evolve and build with collections as the family lived in the space,” says Young. “That’s how things become meaningful, and pieces start to matter.”

For their part, the owners were thrilled with the house. “It’s rare to have the opportunity to collaborate with someone who knows you so well and who shares your vision for the space,” says the client. Yes, it’s a mountain house, but it’s not that kind of mountain house. It’s exactly the gathering place they dreamed of, an alluring escape where they can buckle up their ski boots and carve a few turns or go for a long run and then meet everyone back at home base—for decades to come.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 15 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

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10 Design Trends to Tap Into for 2025 https://fredericmagazine.com/2025/01/chairish-top-design-trends-2025/ Fri, 31 Jan 2025 18:52:36 +0000 https://fredericmagazine.com/?p=42939 While most of us wish we had a crystal ball to guide our decisions and purchases, our friends at Chairish—a decorator-favorite online marketplace for vintage, antique, and contemporary furnishings and art— actually do have one, in the form of search, listings, and purchase data from their design-savvy dealers and customers, as well as their roster […]

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While most of us wish we had a crystal ball to guide our decisions and purchases, our friends at Chairish—a decorator-favorite online marketplace for vintage, antique, and contemporary furnishings and art— actually do have one, in the form of search, listings, and purchase data from their design-savvy dealers and customers, as well as their roster of top tastemakers with fingers on the pulse of the design world. We asked Noel Fahden, Chairish VP of Global Merchandise, to give us the download on 10 design trends to keep an eye on in 2025.

CHAIRISH
1. Painted Screens and Panels

Screens are on the rise in 2025. These versatile pieces not only serve as stunning decorative accents but also provide practical solutions for dividing spaces, enhancing privacy, or creating a dramatic backdrop. Their unique designs and timeless appeal elevate both traditional and modern interiors.

Shop the trend.

Chairish
2. FRILLY MURANO GLASS

Ornate Murano glass is becoming buzzworthy. Delicate, frilly accents—seen on everything from pitcher handles to chandeliers—highlight the craftsmanship and artistry synonymous with Murano glass. This playful yet elegant aesthetic adds a touch of whimsy and sophistication.

Shop the trend.

Chairish
3. Rattan Revival

Rattan continues to rise in popularity, evolving from its roots in outdoor furniture to become a versatile choice for indoors as well. Its natural texture and warmth make it a favorite for seating, mirrors, tables, and more, blending seamlessly with a range of design styles. This timeless material adds a relaxed, organic element to any space.

Shop the trend.

Chairish
4. Metal Lighting

Metal is making a bold statement in lighting design. From sleek sconces and sculptural lampshades to raw, galvanized lamp bases, metal elements bring a modern edge and industrial chic to interiors.

Shop the trend.

Chairish
5. Chain Links

Chains are becoming a captivating element in furniture design, drawing strong interest from our buyers. These bold, sculptural motifs are being creatively incorporated into coffee table legs, floor lamp bases, side tables, and even dining chairs. Chain links add a unique mix of industrial edge and artistic élan.

Shop the trend.

Chairish
6. Pale Citron

This soft, sophisticated shade is taking center stage in home design, adding a refreshing touch to accent chairs, sofas, and settees, as well as accessories such as mirrors, lamps, pillows, and tableware. This piquant hue strikes a perfect balance between subtlety and vibrancy, effortlessly elevating a room.

Shop the trend.

Chairish
7. Equestrian Motifs

The equestrian theme continues to captivate buyers, who can’t get enough of its timeless chic and sense of adventure. Whether featured in fabrics, wallpaper, or antique paintings, this heritage motif lends a refined yet dynamic energy.

Shop the trend.

Chairish
8. Opal and Opaline

Opal stones and opaline glass are both experiencing a resurgence in popularity, celebrated for their chameleonic beauty. Natural opal, with its mesmerizing play of color, shines in jewelry and accessories like mirrors. Opaline glass, known for its milky, translucent glow in hues like white, blue, and pink, is being embraced in decorative items such as glassware, bowls, and lighting.

Shop the trend.

Chairish
9. Graphic Pattern

Bold, eye-catching patterns are a smart way to infuse any room with personality and style. Whether on pillows, artwork, or seating, graphic designs create dynamic visual impact. The renowned 1971 Mah Jong Sofa by Hans Hopfer for Roche Bobois, in particular, exemplifies how vibrant patterns can energize and transform a space.

Shop the trend.

Chairish
10. Brutalism

Brutalism is an enduring modern style, but its demand has reached new heights, especially with the release of buzzy film The Brutalist, an awards-season favorite. This bold aesthetic translates into home design and accessories through striking furniture, sculpture, and jewelry showcasing its raw, architectural power.

Shop the trend.

The post 10 Design Trends to Tap Into for 2025 appeared first on Frederic Magazine.

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Betsy Berry Infuses a Historic Charleston Gem with Modern Energy https://fredericmagazine.com/2025/01/house-tour-betsy-berry-charleston/ Thu, 30 Jan 2025 19:59:26 +0000 https://fredericmagazine.com/?p=42776 Not long after a New York attorney with Charleston roots decided to purchase a circa-1820 home in the Holy City as a warm-weather getaway, he had the good fortune to meet designer Betsy Berry through mutual friends. It was an instant meeting of the minds: “My taste truly aligned with his,” says the founder of […]

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Not long after a New York attorney with Charleston roots decided to purchase a circa-1820 home in the Holy City as a warm-weather getaway, he had the good fortune to meet designer Betsy Berry through mutual friends. It was an instant meeting of the minds: “My taste truly aligned with his,” says the founder of B. Berry Interiors. “I’m not overly feminine and lean more masculine in my design, but I really love the tension between the two.”

The townhouse, in the picturesque South of Broad neighborhood, sits on a small street famous for the guinea hens that frequent the block. 

Brie Williams

Antique demilune tables and a leather safari chair, both from 1st Dibs, add antique panache. The geometric Stark Carpet rug plays off the linear wall treatment.

Brie Williams

Since her client entertains frequently, Berry wanted the home to be a welcoming retreat, eschewing any notion of a sterile bachelor pad. In the dining room, she introduced a Gracie Studio chinoiserie wallcovering with a sophisticated tobacco ground, then tempered that flourish by stripping the existing fireplace surround to reveal its striking original wood finish. “I like to show age in that way and thought it was a nice, masculine touch against the elegant wallpaper instead of a perfect, glossy finish,” she says. The furnishings keep fustiness at bay, with a clean-lined cerused oak table, leather-upholstered Gustavian dining chairs, and modern lighting.

A Gracie Studio wallpaper brings a subtly feminine touch to the dining room, contrasted with an Apparatus Lariat ceiling fixture. A Benjamin Studio oak table pairs with Chelsea Textiles leather chairs.

Brie Williams

Berry focused on the dichotomy between old and new, especially important in houses of this age. “I love architectural interiors and bringing out their best is a major part of we do. When I’m working on a historic residence, I want to respect and celebrate the original moldings, fireplaces, medallions, and the like,” she says. “But I don’t want it to feel like a period piece or museum.”

For the chic, lounge-like den, Berry used a Phillip Jeffries wallcovering that resembles coffered wood in shades of blue and gray for visual depth. The custom French-mattress sectional is covered in a Rose Tarlow fabric; chandelier, Apparatus.  

Brie Williams

The primary bedroom opens onto a second-floor piazza, a common architectural feature in Charleston. A Phillip Jeffries grasscloth, Husk, made from banana bark, adds luminous texture. Painting from George Street Gallery. 

Brie Williams

Another tool in Berry’s creative arsenal is to use a modern wall treatment to offset a room’s formality while still highlighting its architectural details and high ceilings. In the living room, she designed a geometric pattern for the walls that was hand-stenciled by a local decorative painter. “I was inspired by the entrance halls of old European houses that have walls of cut limestone blocks in a running bond pattern, and I wanted that essence,” she says. The room’s palette of French gray-green, black, and a hint of chartreuse in the furniture and rug sprang from the wall design.

For the first-floor den, Berry sought an end-of-the-evening, cozy vibe in contrast to the adjoining light and bright kitchen and breakfast room. The coffered wallpaper design conjures the desired moodiness in shades of deep blues and grays, picked up in the French-mattress sectional and leather ottoman with a cerused oak base.

A space off the kitchen functions like a library, with original arched cabinets flanking the fireplace, contrasted with a more contemporary Eames Lounge Chair and monochromatic art. Paint, Farrow & Ball Wimbourne White. 

Brie Williams

“All the pine hardwood floors are original except in the breakfast room, so we bridged the difference with a stenciled treatment,” says Berry. McGee & Co. table and chairs; Rose Uniacke pendant; Alan Taylor Jeffries art through The George Gallery.

Brie Williams

The designer employed antiques sparingly as a foil to more streamlined elements and to ground the spaces. The living room, for example, shows off 19th-century Hepplewhite-style demilune tables and a vintage black leather safari chair. Berry also sprinkled in gold 19th-century-style French mirrors for brushstrokes of old-world allure. For floor coverings, though, she opted mainly for neutral, textured solids. “This was not a home where I wanted to bring in antique patterned rugs,” she says. “I aimed for a cleaner, more masculine look for this client, so I focused on layering decoration on the walls instead.”

Nowadays, visitors to the home often question when it was built, a fact that Berry embraces. “I want it to feel murky,” she confesses. “It’s about diffusing the age with updated comfort and understated style while still paying homage to a grand dame of Charleston.”

A classic Cole & Sons cloud wallpaper takes center stage in a guest bedroom set off with trim in Farrow & Ball Downpipe gray. A modern tester bed keeps the compact room feeling airy. Visual Comfort chandelier.

Brie Williams

The original rafters in the third-floor guest bath impart instant character and a dramatic focal point. The rest of the room is quiet, with walls and floors painted in Farrow & Ball All White. Fritz Porter baskets.

Brie Williams

The post Betsy Berry Infuses a Historic Charleston Gem with Modern Energy appeared first on Frederic Magazine.

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Artist William Rushton’s Portraits Have an Old-World Luminosity https://fredericmagazine.com/2025/01/william-rushton-portrait-artist/ Wed, 29 Jan 2025 23:52:23 +0000 https://fredericmagazine.com/?p=42488 When I was first introduced to William Rushton’s work, I was struck by how his pieces felt both old-world and contemporary at the same time. With a rigorous education at the Florentine atelier Charles H. Cecil Studios, loads of personality, and incredible talent, Rushton skillfully distills and translates his subjects into classic masterpieces. Here, the […]

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When I was first introduced to William Rushton’s work, I was struck by how his pieces felt both old-world and contemporary at the same time. With a rigorous education at the Florentine atelier Charles H. Cecil Studios, loads of personality, and incredible talent, Rushton skillfully distills and translates his subjects into classic masterpieces. Here, the New York–based artist shares his background and creative process, his sources of inspiration, and the story behind his beautiful paintings and sculptures. 

After studying and painting in Florence, Italy, for five years, Rushton began painting in a studio in Birmingham, Alabama. 

BRIE WILLIAMS

Tell us a little bit about yourself and your background.

I’m from Birmingham, Alabama. I loved art growing up, but at Colorado College, I majored in psychology because I didn’t see how art could lead to a job. During my junior year, I studied abroad in Florence, Italy, and took a short course at Charles Cecil Studios, where we did cast drawing and figure drawing, and I loved it. One of my instructors suggested that I come back and do the full-time program. It seemed kind of crazy to me to move to Italy and ditch my psychology career. But I thought about it more and more, and talked to my parents, who said, if you really want to do it, now’s the time. 

After I graduated college in 2015, I moved to Florence to do the full-time, three-year program. It’s sort of like an apprenticeship, and that’s how ateliers work in general. Spending five years there as a student and then as an instructor, I was able to do more than just painting and drawing; I also started doing sculpture on the side. I learned pretty much everything I know about painting in Florence. The studio’s founder, Charles Cecil, teaches the “sight-size” method of painting and beyond that, he creates a canon of painters to look at, learn from, and see the connection from one to another.

Loredana I, oil on canvas, 2023

courtesy of william rushton

Piero, oil on canvas

courtesy of william rushton

How would you describe your creative approach to portraiture?

When I think about creative process, it has a lot to do with what John Singer Sargent, Gainsborough, Velasquez, or Titian were all doing, which is finding natural beauty with just light and form, and through interaction with people—not just copying what was in front of them, but using it to create something that was oftentimes even more beautiful than nature or reality. The work is created from life because it’s so observational, but it’s also filled with lots of their own character and imagination. My creative process is still at the point where I just want to master and become really confident with the basics, and then also discover my own natural way of doing things—my own kind of signature.

Yasmina, terracotta, 2024

courtesy of william rushton

Joshua, terracotta, 2024

courtesy of william rushton

Where do you look for inspiration?

In Florence, got so much inspiration from the weekly lectures that Charles would give, so since I moved to New York, I’ve been trying to collect images and create sort of an image bank of photos and prints of old paintings. I have a Velasquez book sitting out on my coffee table all the time, and I even ordered another one so I can cut out and frame pages so I can see them in my studio. I’m also not too far from the Metropolitan Museum of Art, so I go there often. I’m trying to start sketching there once a week and see artworks in person. One of my favorite Velasquez paintings, Juan de Pareja, is there. Being able to see it online is one thing, but being able to see it in person is much more powerful.

Geoff, oil on canvas

courtesy of william rushton

Rominha, oil on canvas

courtesy of william rushton

How do you deal with creative blocks?

Well, I don’t know if I necessarily have them at this point, because there’s the creative side of painting, and there’s the discipline, just the work of it. I do deal with burnout, where I’m pushing myself for weeks and months on end, trying to do as much as possible to improve. I think you need to add variety to your life or find hobbies that you care about or distractions, so that you’re not only thinking about work and your career, otherwise you’ll go crazy.

One thing that’s made a huge difference is that I try to divide my schedule between painting and sculpture. They’re similar, but they’re also completely different: One is dealing with paint, one’s dealing with clay; one’s dealing with color, and one’s not. I can go do this other thing and I’m reinvigorated. It’s a great way to avoid burnout and stay excited.

The post Artist William Rushton’s Portraits Have an Old-World Luminosity appeared first on Frederic Magazine.

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Mind Your Manners: A History of Proper Place Settings https://fredericmagazine.com/2025/01/table-settings-flatware-guide/ Tue, 28 Jan 2025 19:00:39 +0000 https://fredericmagazine.com/?p=42710 In the Victorian era, knowing which piece of silver flatware to use was an essential part of proper etiquette. While some might seem frivolous (terrapin fork, anyone?), each was expressly designed to make (often newly available) delicacies a pleasure to experience. We asked the experts at Christofle for a crash course in the specialty pieces […]

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In the Victorian era, knowing which piece of silver flatware to use was an essential part of proper etiquette. While some might seem frivolous (terrapin fork, anyone?), each was expressly designed to make (often newly available) delicacies a pleasure to experience. We asked the experts at Christofle for a crash course in the specialty pieces still produced today that capture the elegance of days past—and will keep the conversation flowing as your guests vie to name that spoon!

Malmaison silver-plated flatware by Christofle, from $90 per piece, christofle.com.

One of the oldest forms of specialized flatware, these sharp-bladed forks gently separate the oyster meat from the shell without breaking it.

Victorian cake forks featured intricately detailed designs, engravings, and etchings, which reflected the owner’s social standing and taste.

In the late 19th century, new refrigerated train cars and the development of hardier iceberg lettuce resulted in an increased appetite for salad.

This fork is best used for eating crab, escargot, and shrimp. The long two-prong design makes it easier to grasp the meat in small shells.

Smaller than table forks, with slightly shorter and wider tines, they are designed to be used for cakes, tarts or fruit and can be paired with a dessert spoon and knife.

In the 1880s, while the aristocracy ate their fish course using two table forks, the nouveau riches adopted distinct cutlery for the same purpose.

Because even the wealthy often didn’t possess many forks, a sherbet course was added to give servants time to wash forks between courses.

The first fish knives had handles of ivory, bone, or mother-of-pearl; later in the Victorian era, all-silver, flat-handled individual fish knives appeared.

Introduced in the early George III era, its pattern was often distinct from the dinner service as dessert was served in a separate room.

With the 19th-century shift to dining à la russe (dishes served individually), cheese became an optional course, which led to the creation of individual cheese knives.

In the Victorian era, women adopted the practice of using the second-largest knives for the main course at midday as they fit the hand better.

Some older patterns had no steak knives, so antique dealers sometimes remove standard blades and replace them with sharper ones.

The blunt-tipped knife was reportedly invented in 1637 by Cardinal Richelieu to discourage dinner guests from picking their teeth with their knife points.

The 19th-century fashion for serving extra-strong black coffee in petite cups (or demitasses) after dinner led to the creation of these diminutive spoons.

In the late 19th century, ice cream was time-consuming and expensive to make, so utensils associated with it tended to be more luxurious.

The original coffee spoons were small and indistinguish- able from early teaspoons, but by the 19th-century there were two sizes—large for regular coffee cups and small for demitasse cups.

Dessert spoons are midway in size between a teaspoon and a tablespoon but have essentially the same shape.

Meant for eating creamy pureed soups, porridge, and chowder, these have a round bowl and can double as a condiment spoon.

Before the tea strainer was popularized in the Victorian era, the teaspoon helped upper-class British tea drinkers remove the floating leaves in their teacups.

Ideal for skimming sauces off a plate, this flat-bottomed utensil was invented at Paris’s famous Lasserre restaurant in 1950.

Used at midday meals, it was typically smaller than a dinner spoon and was designed for eating lighter fare.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 15 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

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These Rooms Prove the Power of a High-Gloss Finish https://fredericmagazine.com/2025/01/design-school-high-gloss/ Thu, 23 Jan 2025 18:07:25 +0000 https://fredericmagazine.com/?p=42022 When it comes to upping the glamour, nothing can touch the allure of an ultra-glossy finish. Like a swipe of red lipstick or a pair of patent leather pumps, a touch of shine makes everything more enticing. From walls to furnishings, it creates a look-at-me statement that can’t be ignored. Swipe through for some shimmering […]

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When it comes to upping the glamour, nothing can touch the allure of an ultra-glossy finish. Like a swipe of red lipstick or a pair of patent leather pumps, a touch of shine makes everything more enticing. From walls to furnishings, it creates a look-at-me statement that can’t be ignored. Swipe through for some shimmering examples below and keep reading for how to get the look. And check out our picks for high-gloss designs that make it easy to add a touch of shine here

  • Redd Kaihoi called on decorative painter Agustin Hurtado to play up this L.A. dining room’s curve appeal with a luminous black lacquer finish. “It makes the space feel nacreous, like you’re inside of a shell,” says Miles Redd.

    MAX KIM-BEE
  • A slick surface lifts the sculptural curl of this spiral stair into heavenly territory. Designed by Jacques Grange for his own iconic Paris flat, it was inspired by a Man Ray chandelier in his entryway.

    FRANÇOIS HALARD/TRUNK ARCHIVE
  • In this stately, traditional dining room also by Redd Kaihoi, a jib door hides a high-octane secret: a wet bar coated in ultramarine that feels deliciously liquid and louche.

    ROGER DAVIES/OTTO
  • Exhibiting his daring swinging-sixties style, David Hicks lavished his own iconic London living room walls with a finish he called “Coca-Cola.” Its deep, watery sheen heightens everything around it.

    COURTESY OF ASHLEY HICKS
  • The lacquer backdrop in Steven Gambrel’s West Village dining room bounces light around in an intriguing way, taking the color gray from blah to brilliant.

    WILLIAM WALDRON/OTTO

HOW TO GET THE LOOK

Lacquer

There’s a reason lacquer makes decorators swoon: “It’s a much smoother, more full-bodied finish than regular paint,” says Chango NYC’s Agustin Hurtado, the decorative painter that Miles Redd and David Kaihoi keep on speed dial. But true lacquer is not for the faint of heart— or DIY dabblers. While flat finishes hide imperfections, shiny surfaces magnify them, which means that skim coating, sanding, and days of prep work are required to get walls in pristine condition. The application itself requires multiple coats—five or more—with wet sanding, surface cleaning, and ample drying time in between. (Expect three weeks total.) Throw in the need for air scrubbers (to ensure dust particles and lint don’t mar a perfect surface), paint sprayers, respirators, and…well, you get the picture. 

Paint 

As a (slightly) less labor-intensive alternative, consider a high-sheen paint—either an oil-based enamel (Hurtado suggests Fine Paints of Europe’s Hollandlac) or a more environmentally-friendly, water-based version (like Little Greene’s Intelligent Gloss paint, which is washable and quick-drying). You’ll still have to invest in plenty of prep, though: “You need at least four coats of a good primer, and everything should already be smooth and well-sanded before you apply any paint,” says Hurtado. 

Wallcovering

Looking for instant gratification? Fake the lacquer look with a wallcovering like Schumacher’s Ace Faux Lacquer Performance Vinyl, which is easy to install and provides plenty of high-style sheen. Plus, it’s a good choice for walls that aren’t in pristine shape as it can help cover up imperfections.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 15 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

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Go for Glam With Our Favorite Lacquer-Look Decor https://fredericmagazine.com/2025/01/shopping-guide-high-gloss/ Thu, 23 Jan 2025 16:29:04 +0000 https://fredericmagazine.com/?p=41968 WHEN THINKING ABOUT TEXTURES in a room, don’t overlook the element of shine. The reflective, light-catching finish of a glossy lacquered table or tray, a luminous finish on walls, or a gleaming lamp can help a room feel a little brighter and more animated. Lacquered and enameled finishes make colors look richer, give neutrals more […]

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WHEN THINKING ABOUT TEXTURES in a room, don’t overlook the element of shine. The reflective, light-catching finish of a glossy lacquered table or tray, a luminous finish on walls, or a gleaming lamp can help a room feel a little brighter and more animated. Lacquered and enameled finishes make colors look richer, give neutrals more depth, and lend any space a splash of oomph. So don’t be afraid to go for it with these chic, editor-approved picks—and find even more inspiration in our guide to high-gloss rooms.

Flower Coffee Table by India Mahdavi

Price upon request, india-mahdavi.com

Bell Portable Table Lamp by Tom Dixon

$260, tomdixon.net

Milano 2015.P Armchair by Colico

$1,386 per pair, imaestri.com

Intelligent Gloss Paint in James by Little Greene

$52 per quart, littlegreene.us

Ace Faux Lacquer Performance Vinyl Wallcovering in Ivory by Schumacher

$2,610, chairish.com

Octogone Tray M by Baccarat

$570, baccarat.com

Large Matrix Tape Tray by Schumacher for The Lacquer Company

$495, schumacherboutique.com

Stella Coffee Table by Pierre Yovanovitch

Price upon request, pierreyovanovitch.com

Céramique Down lamp by Ronan Bouroullec for Flos

$1,109, flos.com

Marcel Catchall Tray by Schumacher for The Lacquer Company

$295, thelacquercompany.com

VIII.Neo Tumbler IX by Lobmeyr

$273, kneenandco.com

Recife Side Table by Pinto

 $22,180, theksgroup.com

Alchemist Commode by Xavier Lust

Price upon request, ralphpucci.com

Malibu 52 Coffee Table by Oomph Home

$5,400, oomphhome.com

Everything on our website was hand-picked by a FREDERIC editor. We may earn commission on items you purchase.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 15 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

The post Go for Glam With Our Favorite Lacquer-Look Decor appeared first on Frederic Magazine.

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What We’re Looking Forward to at the Antiques & Garden Show in Nashville https://fredericmagazine.com/2025/01/antiques-garden-show-nashville-2025/ Wed, 22 Jan 2025 16:46:04 +0000 https://fredericmagazine.com/?p=42102 Currently celebrating its 35th year, the Antiques & Garden Show of Nashville, which runs from January 31 through February 2, 2025, has become a treasured Southern tradition. With transporting garden displays, vetted antiques dealers from around the country, lively parties, and a star-studded lineup of speakers, it’s the perfect winter escape. FREDERIC editor in chief […]

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Currently celebrating its 35th year, the Antiques & Garden Show of Nashville, which runs from January 31 through February 2, 2025, has become a treasured Southern tradition. With transporting garden displays, vetted antiques dealers from around the country, lively parties, and a star-studded lineup of speakers, it’s the perfect winter escape.

FREDERIC editor in chief Dara Caponigro will lead what is sure to be a lively and insightful discussion with revered British designers Veere Grenney and Rita Koning on “Cultivating Timeless Design,” while Brooke Shields, Sheryl Crow, India Hicks, Willow Crossley, and other luminaries will be speaking throughout the weekend. You can still purchase tickets—we hope to see you there!

Read on to see just a few of the dealers we’re excited to check out.

COURTESY OF JAMES SANSUM

JAMES SANSUM

James Sansum’s gallery on the Upper East Side of Manhattan offers an expertly curated selection of European furniture and decorative objects, as well as artwork ranging from Old Master drawings to Asian scrolls to contemporary paintings. A dealer for more than three decades, the erudite Sansum cultivates a masterful mix of classical refinement and modern energy.

jamessansum.com

COURTESY OF ALCOTT INTERIORS

ALCOTT INTERIORS

Carolyn Kendall is not only a well-regarded Nashville interior designer, but she also has a beautiful shop in Hillsboro Village. She travels to Europe regularly to source antiques in Paris, Rome, Milan, and the French countryside. She also buys from dealers stateside and at auction to curate a rich and varied selection of treasures.

alcottinteriors.com

COURTESY OF B. VIZ DESIGN

B. VIZ DESIGN

Rebecca Vizard is revered for her exquisite collection of antique textiles, from Ottoman Empire gold ecclesiastical embroidery and 17th-century Flemish tapestries to vintage Fortuny fabrics and Uzbekistan suzanis, all of which she preserves, repairs, and often repurposes as beautiful pillows. She has an atelier in New Orleans where her rare finds are prized for their artistry, authenticity, and hand-sewn craftsmanship.

bvizdesign.com

The post What We’re Looking Forward to at the Antiques & Garden Show in Nashville appeared first on Frederic Magazine.

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These Tailored Pajama Sets Are Classically Chic https://fredericmagazine.com/2025/01/short-list-pajama-sets/ Sat, 18 Jan 2025 06:27:38 +0000 https://fredericmagazine.com/?p=42160 I’ve always been partial to the full monty of sleepwear: a collared, button-up, and preferably piped set of pajamas. They keep every inch cocooned in airy cotton—or a luxurious silk or soft, fluffy flannel, if you so prefer—all night, without riding up or twisting around your waist, pig-in-a-blanket style. The best part? These picks are […]

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I’ve always been partial to the full monty of sleepwear: a collared, button-up, and preferably piped set of pajamas. They keep every inch cocooned in airy cotton—or a luxurious silk or soft, fluffy flannel, if you so prefer—all night, without riding up or twisting around your waist, pig-in-a-blanket style. The best part? These picks are tailored enough that you can wear them on a Zoom call or even throw on a chic coat and head out to run errands—no one will know you just crawled out of bed.

Blue Piped End-on-End Cotton Pyjama Set by Turnbull and Asser

$670, turnbullandasser.com

 

Bonne Nuit Pajamas by La Ligne

$250, saks.com

Tailored Fit Plain Silk Pyjamas by Budd

$660, buddshirts.co.uk

Cotton Pyjamas by Tartan Blanket Co.

$162, us.tartanblanketco.com

Luca Pajama Set by Matouk Schumacher

$475, matouk.com

Women’s Classic Cotton Pyjamas by Bonsoir of London

$220, bonsoiroflondon.com

Aimé Pyjama Set by Aimé

£220, aimelondon.com

Frida Floral Cotton Long Sleeve Pajamas by Pax Philomena

$140, paxphilomena.com

Liberty of London Pajama Set by Mrs. Gray

$280, mrsgrayhome.com

Women’s Capri 24 Cotton Batiste Green by Derek Rose

$295, derek-rose.com

Poplin Pyjamas by Aiayu

€172, aiayu.com

George Pajamas by Geismars

€209, geismars.com


Everything on our website was hand-picked by a FREDERIC editor. We may earn commission on items you purchase.

The post These Tailored Pajama Sets Are Classically Chic appeared first on Frederic Magazine.

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Tour Sarah Vanrenen’s Cozily Layered Wiltshire Farmhouse https://fredericmagazine.com/2025/01/video-house-tour-sarah-vanrenen/ Thu, 16 Jan 2025 21:28:55 +0000 https://fredericmagazine.com/?p=41902 “I never really feel comfortable sitting in a room that is absolutely perfect, where everything matches,” says British interior and textile designer Sarah Vanrenen. “It’s got to have a kind of organic feel.” As she says of her own 300-year-old farmhouse in Wiltshire, England, “It’s lived-in, it’s real, it’s colorful.” The large farmhouse, originally three […]

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“I never really feel comfortable sitting in a room that is absolutely perfect, where everything matches,” says British interior and textile designer Sarah Vanrenen. “It’s got to have a kind of organic feel.” As she says of her own 300-year-old farmhouse in Wiltshire, England, “It’s lived-in, it’s real, it’s colorful.” 

The large farmhouse, originally three separate cottages, belonged to her husband’s grandmother. It was the perfect blank slate for Vanrenen’s layered approach to decorating, with rooms cocooned in color, laden with patterned fabrics and wallpaper, with artwork covering every wall. “I crave color. It feeds my soul,” she says. “Color makes rooms feel inviting and warm and comfortable.” There also needs to be visual relief, she notes, some neutral contrast. “I think a house can definitely have too much stuff,” she cautions, “but I don’t think a house can ever have too much art. Art says everything about the person who lives in a house, and when it’s hung well, adds huge character.”

Vanrenen opened up the ceiling of the primary bedroom to the rafters, and wrapped everything in her “Dotty” flower-strewn wallpaper and fabric, adding the canopy bed she’d always coveted.   

“When I’m decorating a room, I do it like I’m starting a painting,” she explains, starting with wall color, and then bringing in different patterns and furnishings to see what works best together. “There’s got to be big pattern, small pattern, and then a bit of space around it that lets it breathe.” 

Come tour Vanrenen’s warm and welcoming home and see why,  she says, “When it’s at its best and my family are here and we’re all sitting around the kitchen table having lunch or supper, it’s the happiest I can ever be.”

Vanrenen in the meadow outside the 300-year-old Wiltshire farmhouse where she and her husband live.

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Editor’s Obsession: Liquid Gold https://fredericmagazine.com/2025/01/editors-obsession-liquid-gold/ Wed, 15 Jan 2025 18:36:24 +0000 https://fredericmagazine.com/?p=41386 Gold may seem immutable and timeless (art objects have been found dating from 4200 BCE), but my favorite new pieces capture it in more evanescent, fluid forms, showcasing its light-catching quality in shimmering paillettes, drippy spangles, swishy beaded fringe, and molten silhouettes. The sense of movement gives these pieces—from a dazzling modern chandelier to luminous […]

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Gold may seem immutable and timeless (art objects have been found dating from 4200 BCE), but my favorite new pieces capture it in more evanescent, fluid forms, showcasing its light-catching quality in shimmering paillettes, drippy spangles, swishy beaded fringe, and molten silhouettes. The sense of movement gives these pieces—from a dazzling modern chandelier to luminous jewelry to a resplendent gold-fringed console table—a sensual quality that makes you want to reach out and touch them, to bask in their glow.

To experience more of gold’s irresistible allure and stunning craftsmanship, visit Solid Gold at the Brooklyn Museum through July 6, 2025.

Winter 2024, Look 49 by Burberry

uk.burberry.com

Louane Velvet Lamé Gown by The Row

$5,750, mytheresa.com

Shop the Look

Midas Grand Tier Chandelier by Fisher Weisman

Price upon request, fisherweisman.com

Sara Mini Scarf Necklace by Mignonne Gavigan

$395, mignonnegavigan.com

Fringe Earrings by Lisa Eisner Jewelry

$1,600, brokenenglishjewelry.com

Chance Tumbler by Pinto

$140, store.pintoparis.com

Fringe Ring by Solange

$8,245, solange.co.uk

Melted Hand-Cast Bronze Candle Holder by Osanna Visconti

$1,710, abask.com

Starling Beaded Fringe by Schumacher

Price upon request, schumacher.com

Solanales Crystal Teardrop Collar Necklace by Alexis Bittar

$795, alexisbittar.com

Tassel Diamond Necklace by Solange

$20,038, solange.co.uk

Collier Entry Table by Casamidy

Price upon request, casamidy.com

Celeste Sequined Drawstring Shoulder Bag by Ulla Johnson

$550, bergdorfgoodman.com

Arbor Gold Candlesticks by Studio Palatin

Price upon request, studiopalatin.com

Everything on our website was hand-picked by a FREDERIC editor. We may earn commission on items you purchase.

The post Editor’s Obsession: Liquid Gold appeared first on Frederic Magazine.

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Visit a Young Designer’s Calm and Collected Studio Apartment https://fredericmagazine.com/2025/01/house-tour-forrest-walterhoefer-new-york/ Tue, 14 Jan 2025 18:27:41 +0000 https://fredericmagazine.com/?p=41784 Good things come in small packages. Case in point: the 585-square-foot Manhattan studio apartment of interior designer Forrest Walterhoefer. Charmed by its tennis club views, oak parquet floors, and quiet Sutton Place surroundings (he ignored the friends who deemed it “boring”), he signed a lease upon moving to New York in 2017 and began crafting […]

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Good things come in small packages. Case in point: the 585-square-foot Manhattan studio apartment of interior designer Forrest Walterhoefer. Charmed by its tennis club views, oak parquet floors, and quiet Sutton Place surroundings (he ignored the friends who deemed it “boring”), he signed a lease upon moving to New York in 2017 and began crafting his own little corner of the city. 

A large bronze mirror from Wyeth anchors the entry, hanging alongside a geometric charcoal study by Walterhoefer’s grandmother and an antique portrait. The bench is a French antique from John Derian.

JOSHUA MCHUGH

In the living area, a 1980s aerial photograph of Aventura, Florida, hangs over the Crate & Barrel sofa, re-covered in a Holly Hunt linen; the side table and armchair are by Milo Baughman; and the pair of mirror-polished cocktail tables are by Joe D’Urso. Vintage Nessen marble lamp; sisal rug from Sacco. 

JOSHUA MCHUGH

Walterhoefer, who cut his teeth in the studio of Mark Cunningham before setting out on his own just last year, was used to working within much larger footprints—and budgets. But by taking a savvy (and sometimes counterintuitive) approach to furnishings, he was able to maximize every precious inch of the pint-size apartment. 

“I didn’t shy away from bigger pieces of furniture, and I think that makes the space feel larger,” says Walterhoefer. When his eight-foot sofa—a Crate & Barrel model he’d re-covered in Holly Hunt linen—wouldn’t fit on the elevator or in the stairwell, he had to hire New York institution “Dr. Sofa” to cut it in half and reupholster it on site. (“I cried a lot that day,” he recalls with a laugh.) 

A Saarinen table serves as desk and dining surface, surrounded by Hans Wegner Heart chairs and a Mies van der Rohe Brno chair. The console displays a paper table lamp by Christopher Baker from Dobrinka Salzman. The vintage pendant is by Jo Hammerborg. 

JOSHUA MCHUGH

Unfortunately, when it came to the welded steel canopy bed he arrived with, there was no such option. To take its place, he opted for a simple Room & Board model that he updated with a custom black cork headboard. Such high-low hacks—where material and form are prioritized—proved the secret to achieving the same tailored, collected look that Walterhoefer strives for in his professional projects. 

“Clean lines and simple shapes are classic and timeless,” he explains. “If you need to save, save on those pieces, then complement them with items that have more history, more texture, more life, and it all balances out.” A bit of luxe upholstery can also take a piece to the next level: A hair-on-hide from Holly Hunt elevates a vintage Mies van der Rohe Brno chair, while a simple ottoman is sheathed in Rogers & Goffigon mohair. 

In a tiny hallway, a vintage Guillerme et Chambron dresser displays a 1950s lamp from Vallauris, France, and a shark jaw; porcelain sculptures by Anat Shiftan, from Hostler Burrows gallery, hang above. 

JOSHUA MCHUGH

A trio of artworks frames a vintage metal hoop chair in the living area.

JOSHUA MCHUGH

Just after arriving in New York, Walterhoefer visited the 2017 Kips Bay Decorator Show House, where Robert Stilin’s art-filled salon made a deep impression. “It really inspired me to take a small room and just cover it in art,” he recalls. Starting with a 1980s aerial photo of Aventura, Florida—a piece he acquired while working as a design assistant for Miami-based Robert Rionda—he began building out his own collection. Today, walls are hung with charcoal drawings by his grandmother, sidewalk art purchased in SoHo, a Guillaume Linard Osorio work from Carvalho Park, and, as fate would have it, a Jean Lurçat lithograph acquired from Stilin himself.

“I wanted to create a smooth transition from the living room area into the bedroom area, so I used a larger than usual nightstand,” explains Walterhoefer, who selected an antique console to separate his sofa from the Room & Board bed, which he updated with a cork headboard. The custom ottoman is upholstered in Rogers & Goffigon mohair and the artwork is by Guillaume Linard Osorio from Carvalho Park.

JOSHUA MCHUGH

Walterhoefer’s array includes everything from a shark jaw that belonged to his grandmother to a special set of Hans Wegner Heart chairs he found in Palm Beach. “These are probably my most prized possessions,” he says of the pair of mirror-polished Joe D’Urso cocktail tables he hunted down over the course of a year, finally scoring a matching pair via two separate dealers. “The excitement was unbelievable.” 

“More than anything, I just wanted it to feel layered and collected over time.”

Forrest Walterhoefer

These days, says Walterhoefer, who is splitting his time between New York and Miami, “I spend most of my time at this table,” referring to the Eero Saarinen tulip in his office-slash-dining room. An avid cook, he eats nearly every meal here as well. He still loves the neighborhood—and his friends are coming around. “Younger people are moving here every day, but it’s still very quiet and well maintained,” he says. Plus, “I discovered recently that Thom Browne’s townhouse is two blocks away,” he adds, giddily. “I just feel cooler knowing that.”

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 14 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

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French Wallpapers That Envelop a Room in Artistry https://fredericmagazine.com/2025/01/isidore-leroy-wallpaper-murals/ Sat, 11 Jan 2025 13:44:05 +0000 https://fredericmagazine.com/?p=41580 Wallpaper has an alchemical ability to transform any room into an enchanting, immersive environment—especially when it’s a panoramic design of the kind currently enjoying a resurgence in popularity. French wallpaper firm Isidore Leroy, known for its murals, is enjoying a revival of its own, drawing on its rich history of marrying innovative technology with remarkable […]

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Wallpaper has an alchemical ability to transform any room into an enchanting, immersive environment—especially when it’s a panoramic design of the kind currently enjoying a resurgence in popularity. French wallpaper firm Isidore Leroy, known for its murals, is enjoying a revival of its own, drawing on its rich history of marrying innovative technology with remarkable artistry. Through their state-of-the-art digital printing expertise, the team is able to create luminous custom wallcoverings at accessible price points. 

Jean-Etienne Bélicard, president of Isidore Leroy, and Claire Staszak of Centered by Design discuss her Mediterranean Reverie collection, which includes Stripe Coquillage, seen on the wall. 

COURTESY OF ISIDORE LEROY

Marbré de Venise (on the ceiling) from Mediterranean Reverie is inspired by hand-marbled Venetian papers.

COURTESY OF ISIDORE LEROY

Isidore Leroy opened his eponymous French atelier in 1842, patenting an innovative continuous printing process. His firm became known for quintessentially French designs that reflected the artistic movements of the day, such as Art Nouveau and Art Deco, and continued to break new ground for more than a century. The brand’s doors were shuttered in the 1980s, but such a heritage firm was destined for a comeback, and in 2019, French entrepreneur Jean-Etienne Bélicard relaunched the firm and is now guiding its evolution as president.

Francesco Battista, an Italian painter living in France, collaborated with Isidore Leroy on Sur la Route de Samarcande, inspired by a city in Uzbekistan that was once a stop on the legendary Silk Road. 

COURTESY OF ISIDORE LEROY

“We kept the DNA of the company and the focus on cutting-edge processes, but in addition to reimagining the company’s archives, we collaborate with artists on more contemporary designs,” says Bélicard of creating wallpapers that walk a line between history and modernity and refinement and eclecticism. “Our designs bring an originality that’s analogous to hand-painted murals but made more quickly and less expensively through high-quality digital printing.” As with high-end murals, the designs can be customized to fit the exact proportions of a room, and the colors and motifs adjusted to suit each space—for example, placing a particular motif over a doorway or flanking a window or fireplace.

For Éternelles, artist Olivia de Bona made a large linocut which served as the pattern for a landscape wallpaper exploring the idea of a lost golden age.

COURTESY OF ISIDORE LEROY

Partnering with a diverse pool of artists is an essential part of the firm’s reinvention. “I think it is important to not always look in the mirror but to have a lens on what’s to come,” says Bélicard. “Artists help us imagine what the future of contemporary landscapes will look like.” In its new iteration, Isidore Leroy has partnered with French street artist Olivia de Bona and decorative painters Blundell & Therrien, among many others.

Pétrichor by Blundell & Therrien is a twist on classic landscape design. With no discernible horizon line, its brushstrokes become almost abstract pattern when viewed up close.

COURTESY OF ISIDORE LEROY

Stateside, their expertise with panoramic designs was on full display at the Lake Forest Showhouse on Chicago’s North Shore in 2023, where a mural transformed a men’s dressing room by decorator Claire Staszak, principal of Centered by Design. “I wanted a scenic paper that was more unexpected and was immediately drawn to Isidore Leroy’s moody Toits de Paris nighttime panorama,” says the decorator. Thanks to the brand’s strong artist relationships, she was able to customize the mural to perfectly fit the space:  “At my request, the Eiffel Tower was added to Yukiko Noritake’s original artwork, allowing me to manipulate the scenes to avoid repetition. We just provided the dimensions and it was scaled appropriately, she explains. The whole process was enjoyable and seamless.”

To add romance and a touch of mystery to her men’s dressing room for the Lake Forest Showhouse, Chicago designer Claire Staszak wrapped the room in Toits de Paris.

AIMÉE MAZZENGA

Staszak requested a customized version of the wallpaper mural by artist Yukiko Noritake, who added the Eiffel Tower to the landscape at her behest.

AIMÉE MAZZENGA

The partnership with Staszak proved fruitful, blossoming into a collection she herself designed with Isidore Leroy, Mediterranean Reverie, which will make its international debut this January at Paris Déco Off after a soft launch at the Chicago Design Center. “I was inspired by my fantasy of the Mediterranean with bowers of roses climbing up trellises, overgrown secret gardens, crumbling chateaus, and untamed nature,” says Staszak, whose collaboration is the brand’s first with an American designer. The spirited collection features an array of treillage, shell motifs, stripes, faux boiserie, and marbleized papers. “Mediterranean Reverie is a manifestation of Claire’s appreciation for European design, historical architecture, and the fragile beauty that it exudes,” notes Bélicard.

Claire Staszak’s studies for her Paradis Perdu mural reference forgotten gardens and lush landscapes in the south of France.

COURTESY OF CLAIRE STASZAK

Artist Denis Berteau at Isidore Leroy hand-paints the mural’s artwork.

Ava du Parc

The final sketch by artist Denis Berteau from Claire Staszak’s design for Paradis Perdu.

COURTESY OF ISIDORE LEROY

The finished mural, custom-sized for the room. 

COURTESY OF ISIDORE LEROY

Isidore Leroy is not one to rest on its laurels, always seeking new collaborators and innovative extensions of its wallpaper business. Next up, they’re launching a partnership with Gien, the 200-year-old French tabletop manufacturer, translating some of their most popular china patterns into wallpaper designs, also debuting at Déco Off.  The firm has developed pleated lampshades and folding screens using their papers (prototypes are available in their atelier), and is exploring the use of its cutting scraps for picture frames and accessories—all expected to launch later this year. A line of complementary fabrics is also in development. “It’s exciting to look for new outlets to be creative and new technologies to fulfill them,” says Bélicard. Isidore Leroy himself would most certainly approve.

Vues d’Orient is based on the bestselling china pattern by French faience maker Gien from an upcoming collaboration with Isidore Leroy. It will debut at Paris Déco Off in January.

LIVING4MEDIA

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The Stunning, Sculptural Beauty of Modern Art Glass https://fredericmagazine.com/2025/01/editors-obsession-sculptural-glass/ Fri, 10 Jan 2025 20:17:02 +0000 https://fredericmagazine.com/?p=41343 Few things are as mesmerizing as watching a master glassblower ply his or her trade, transforming red-hot molten globs into crystalline works of art. Today, our favorite artisans are using the same 2,000-year-old technique to create one-of-a-kind, of-the-moment pieces with stunningly sculptural appeal that no other medium can match. Edition 1 Vase by Galerie Alyssa […]

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Few things are as mesmerizing as watching a master glassblower ply his or her trade, transforming red-hot molten globs into crystalline works of art. Today, our favorite artisans are using the same 2,000-year-old technique to create one-of-a-kind, of-the-moment pieces with stunningly sculptural appeal that no other medium can match.

Edition 1 Vase by Galerie Alyssa Kapito

Interior designer Alyssa Kapito enlisted cult-favorite Venetian manufacturer Laguna~B to bring her new AKI Editions collection of subtly sensual Murano glass vessels to life. 

$15,000, alyssakapito.com

Giardino IV Vase by Sophie Lou Jacobsen

Known for her whimsically wavy tabletop wares, French-American designer Sophie Lou Jacobsen turns her eye to art glass with the Giardino Segreto (or Secret Garden) collection, a series of botanically inspired pieces that radiate quiet beauty. 

$4,200, sophieloujacobsen.com

KNOPED WINE GLASS BY MIRANDA KEYES

British glass artist Miranda Keyes’s fluid, almost surrealist goblets, each one unique, themselves look a bit tipsy. 

£250, jermainegallacher.com

SAGUARO VESSEL BY RAFI AJL

Berkeley, California–based artist Rafi Ajl carves primitive wood molds to create different forms and textures, which release “graceful and sensual forms” in glass. As the molds burn and decay over time, each piece is unique. 

$2,850, rafiajl.com

AVVOLGERE CANDLESTICKS BY DANA ARBIB

New York artist and fashion designer Dana Arbib began experimenting with glass and working with master Murano glassblowers in 2020. Fascinated by patterns in the natural world, she also draws on her Libyan and Italian heritage of craft. Her stacked pebble candlesticks express a serendipitous, off-kilter grace. 

$2,200 for the pair, tiwa-select.com

Everything on our website was hand-picked by a FREDERIC editor. We may earn commission on items you purchase.

The post The Stunning, Sculptural Beauty of Modern Art Glass appeared first on Frederic Magazine.

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Elizabeth Damrich Puts a Fresh Spin on a Grand Greek Revival in Alabama https://fredericmagazine.com/2025/01/house-tour-elizabeth-damrich/ Thu, 09 Jan 2025 16:24:04 +0000 https://fredericmagazine.com/?p=41578 “I could name the order of columns before I could say a sentence,” laughs Elizabeth Damrich, recalling a childhood surrounded by stately Greek Revival houses in sleepy Athens, Alabama. So naturally, when the creative director and fashion designer (she has a line of apparel and accessories with Southern department store Dillard’s) found herself house-hunting in […]

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“I could name the order of columns before I could say a sentence,” laughs Elizabeth Damrich, recalling a childhood surrounded by stately Greek Revival houses in sleepy Athens, Alabama. So naturally, when the creative director and fashion designer (she has a line of apparel and accessories with Southern department store Dillard’s) found herself house-hunting in her husband Michael’s hometown of Mobile, Alabama, after a stint in Charleston, she couldn’t resist touring an 1885 dwelling known as the Rapier House.

Damrich’s daughter Gigi climbs the front steps of their 1885 Greek Revival house.

William Waldron

An Aubusson tapestry is a romantic foil for an angular slipcovered sofa in the living room. Damrich, pictured, wears an Eleanor Shirt Dress by Eleanor Leftwich.

COURTESY OF ELIZABETH DAMRICH

“I love the strength of Greek Revival set against the wild landscape,” Damrich says. “It's what drew me to the Rapier House and its Ionic columns. Ionic is the feminine order and I just love what that represents.”

William Waldron

Cinematically perched on a palm-lined boulevard in the Oakleigh Garden Historic District, a quartet of white Ionic columns standing tall in front of its butter-yellow exterior, the Rapier House embodies a certain type of Southern graciousness. “You feel it in the architecture—the higher ceilings and tall windows that give you space to breathe and create, the drapes that puddle onto the floor in a generous way, objects from the past reminding you of where you came from,” says Damrich, who has spent the past several years turning the stately house into a modern-day home for her family with two young children.

Bare floors and clean white walls in the foyer are a pared-down foundation for a Julie Neill plaster chandelier and graphic tablecloth made from Even Stripe Indoor/Outdoor fabric by Caroline Z Hurley for Schumacher. The iron chair and shell mirror are antiques Damrich found in New Orleans.

William Waldron

A fragment of a Zuber scenic wallpaper is framed in the foyer; the antique iron chair once graced the halls of the Soniat House hotel in New Orleans.

William Waldron

The Aubusson tapestry that gives the “tapestry room” its name is a romantic foil for an angular slipcovered sofa and a low-slung cocktail table.

William Waldron

Her approach honors that ethos of gracious living without being beholden to tradition: The curtains framing those towering windows aren’t formal silk but simple ivory linen; heirloom antiques are paired with clean-lined, modern furniture; floors are left bare or outfitted with humble jute rugs. “My approach requires some rule breaking but ultimately leans into finding ways to live well in the space,” she says. “A room could be used for cocktails one day and a children’s bouncy house the next. When we have parties, even if I’m wearing some fancy gown, I’m likely barefoot.”

For Damrich, watching a new generation marvel at their surroundings has been its own reward: “My children trace the intricate molding with their hands, and I’m hoping that love of design and appreciation of craft seeps into their bones as well.”

In the guest room, curtains and a bed canopy in Schumacher's Prestwick Wool Satin (the latter trimmed in Heraldic Trim by Happy Menocal for Schumacher) make for a cosseting refuge. The bedspread is Incomparable Moiré by Schumacher.

William Waldron

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 14 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

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Dress Up Your Desk With These Stylish Accessories https://fredericmagazine.com/2025/01/frederic-finds-stylish-desk-accessories/ Tue, 07 Jan 2025 23:16:26 +0000 https://fredericmagazine.com/?p=41528 Yes, you’re working—but that doesn’t mean your surroundings have to be workaday. To help you break free from the nine-to-five monotony, we’ve written a memorandum on elevated office essentials that help turn pencil-pushing into an art form. Modernist Gold Scissors Crafted in Italy, these scissors cut an impressive figure with carbon steel blades and a […]

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Yes, you’re working—but that doesn’t mean your surroundings have to be workaday. To help you break free from the nine-to-five monotony, we’ve written a memorandum on elevated office essentials that help turn pencil-pushing into an art form.

 

Modernist Gold Scissors

Crafted in Italy, these scissors cut an impressive figure with carbon steel blades and a gold-plated finish.

$55, wmscoshop.com

Santos de Cartier Ballpoint Pen

Weighty and writerly, the Santos de Cartier Ballpoint Pen is finished in burgundy lacquer with engravable gold details that match the jeweler’s indelible LOVE line.

$415, cartier.com

Nymphenburg Letter Opener

Wafer-thin and designed by Konstantin Grcic for the famous porcelain house, Nymphenburg’s Letter Opener makes razoring open envelopes an event.

$150, kneenandco.com

Puddle Catch-all

With its Anish Kapoor vibes and super-shiny surface, the Brass Puddle Catch-All corrals all your bits and bobs while serving up a sculptural moment.

$290, fourth-st.com

Modern Pencil Cup

A snappy take on desktop organization, this Italian leather Modern Pencil Cup folds flat for the ultimate in mobile office style.

$50, leatherology.com

Yamanaka Lacquerware Candy Box

Groovy lines encircle the Yamanaka Lacquerware Candy Box, which is made of lacquered zelkova—a gorgeous Japanese hardwood. The glossy interior is food- and paper clip–safe.

$213, musubikiln.com

Marbled Pencil Holder Set

Wrapped in magical patterns created by Venetian artisans using age-old techniques, this Marbled Pencil Holder Set includes ten chic pencils to match the hexagonal holder.

$125, cabanamagazine.com

Kings Writing Paper

Make your mark with Smythson’s personalized Kings Writing Paper with coordinating watermarked envelopes. Printed by hand in Wiltshire, England, it discreetly speaks volumes.

From $335, smythson.com

Isaac Desk Lamp

The punchy Isaac Desk Lamp illuminates the task at hand with a swiveling globe and a sturdy steel adjustable arm atop a cast-iron base.

$499, schoolhouse.com

Bamboo Magnifying Glass

A theatrical handle and lens encased in real bamboo adds an element of vintage chinoiserie to this Bamboo Magnifying Glass.

$98, serenaandlily.com

PI Bookends

Hand-finished mahogany PI Bookends by Ethnicraft can be placed horizontally or vertically to show off their glamorous curves.

$179, 2modern.com

Pink Diamond Notebook

The neon scheme of this handmade-in-Italy Pink Diamond Notebook makes it a snap to locate at the bottom of a cluttered tote bag.

$27, porta-nyc.com

Chrome Pencil Sharpener

Made of electroplated steel and hand-polished a minimum of six times, the Chrome Pencil Sharpener by El Casco offers four different point selections.

$640, abask.com

Octagonal Wastebasket

Give discarded drafts a proper send-off in a Miles Redd–designed Octagonal Wastebasket crafted from the handsomest cerused oak.

$450, thelacquercompany.com

Everything on our website was hand-picked by a FREDERIC editor. We may earn commission on items you purchase.

THIS ARTICLE ORIGINALLY APPEARED IN VOLUME 14 OF FREDERIC MAGAZINE. CLICK HERE TO SUBSCRIBE!

The post Dress Up Your Desk With These Stylish Accessories appeared first on Frederic Magazine.

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